Oliver Queen Steps Up (Um, Literally): The Arrow Finale
Anyone who knows me knows I’m a little too obsessed with Arrow, and yet I’m also really aware of the shows flaws. One of the things that has frustrated me over the past four seasons is how rarely the hero of the show, Oliver Queen, gets to actually act like a hero. I know they’re trying to show character growth and all that, but it’s been a painful ride at times. The the last few episodes of the show, and the season finale that aired this week finally started to fix that.
In fact (with the help of a couple of pep talks) it was Oliver who kept everyone going when it looked like they might actually have come to the end of the world. First as himself (in the image above) giving a major pep talk to the scared citizens and second in his Green Arrow guise leading those citizens in a major attack, magically fueled by hope, on the season’s big bad.
And while I was sad to see Oliver’s brother-in-arms John Diggle (I love Digg!) taking off in a cloud of pain and doubt at the end of the ep, this exchange between them was one of my favorite of the episode:
Oliver – “John, I have never done this without you. You’re the one that keeps me in line.”
John- “Oliver, I don’t know if you’ve been watching lately, but it’s been the other way around man.”
Five Quick Thoughts (Hah!) on The Flash Finale
- Really great to see John Wesley Shipp leave the show as a version of The Flash. He’s been a great Henry Allen, and it’s a great nod to his past role as The Flash.
- Loved that it showed Caitlin actually still being shaken up from being held hostage by Zoom – but that she was able to work through it to help the team. Superhero shows don’t always do a good job of showing emotional consequences.
- Harrison Wells finally calling Cisco by his first name as he too rode off into the sunset. It was a nice little moment.
- Hope super-angsty Barry doesn’t last too long, but I will be really fascinated to see how his last second major timeline alteration shakes out.
- Um, if The Flash and Arrow exist in the same universe – and Oliver’s battling nukes in Star City and Barry’s trying to save all of existence in Central City, don’t you think these boys would coordinate, just a bit?
My favorite fairy tale of all time is Beauty and the Beast.
The storybook that my mom read to me from when I was little had these elaborate stylized illustrations that fell somewhere between a big-eyed 70s doll painting and a trip to Versailles, odd, but memorable. Then as a teenager I read Robin McKinley’s Beauty – a novelized retelling of the story that remains one of my favorite books to this day – I reread it once a year.
Then came Disney’s version. At the time it came out I was a bookworm girl who felt like a fish-out-of-water in the town where she lived – so you can imagine how much I related to their version of Belle.
Now Disney’s back and I’m full of both excitement and trepidation over this:
The style of the movie, from what you can see of it in this trailer, looks beautiful, and while I’m a bit nervous about the casting of the Beast, clearly the best thing this movie has going for it, besides being based on my favorite fairy tale, is the casting of Emma Watson as Belle – cause we know that girl has the charming bookworm thing down.
“I am a leaf on the wind, watch how I soar.”
The Satisfying Finale of DC’s Legends of Tomorrow
A few weeks ago I talked about DC’s Legends of Tomorrow, and the fact that I like the characters of Ray Palmer, Sarah Lance, and Rip Hunter. I also like the idea of an ensemble show about a team of heroes who travel through time to save humanity. This week capitalized on those things – my favorite twist was that the team had to kill the villain (who I have not been crazy about) simultaneously at three separate moments in history. All three deaths were satisfying conclusions (a grieving and pissed off Sarah completing the task by hand was particularly impressive), and thankfully freed the show from an ancient Egyptian based plot that managed to be both convoluted and laughable. To further that end they also said goodbye (at least for now) to Hawkman and Hawkgirl who were bogged down by that same faux Egyptian nonsense, among other things.
I always like it when season finales manage to both bring the season to a satisfying conclusion, and make you excited to tune in next year – and this episode did that. I’m actually more excited about this show then I’ve been since it started.
“I hope this hasn’t put you off of flying. Statistically speaking, it’s still the safest way to travel.”
Superman, Superman (1978)
Supergirl moves to the CW
First of all let me just say that I’m so happy that someone renewed this show for a second season. Yes this show isn’t perfect (among other things it’s unnecessarily heavy handed with it’s “girl power” sometimes) but this spunky, geeky heroine deserves a second season.
I also hope the move to the CW will help the show – CBS kind of treated it like a poor stepchild, and I hope that’s something a network used to shepherding superhero shows will put an end to. In addition, as this article from the Washington Post stated “It’s time to get a little geekier.” Without the pressure to appeal to CBS’s more traditional mainstream viewers, I hope Supergirl can fully embrace nerdy, superhero-y, goodness.
The Flash has the Force
This week’s episode of The Flash was a little weird – and considering this is a show that regularly features giant gorillas and sharkmen, that’s saying something.
In an attempt to give Barry back his lost superpowers they essentially hit him with another bolt of lighting (his father, needless to say, is less than thrilled with this plan.) This bolt of lighting sent Barry into a….
Well, I’m not really sure.
The short version is that apparently his superpower – speed – is some kind of “force.” (Yeah, the Star Wars parallels were rampant this week) This force proceeded to talk to him in the guise of various loved ones, including a tear inducing childhood book reading with his dead mother.
It kind of reminded me of an episode of Lost in which we take a break from the mind bending fantasy-action plot to let the character have a mind bending existential dilemma. It’s weird, and makes absolutely no logical sense, and yet has emotional resonance. And well, kudos to Grant Gustin for pulling it off.